A 19th century Japanese iron Goto school Fuchi with a zogan rooster & flowers design and a raised edge, measuring 3.7 x 1.1 cm in size; nakago 8 x 28 mm. THE KASHIRA IS IN EXCELLENT CONDITION.
A 19th century Japanese soft metals Goto school Fuchi with a zogan Samurai dancers design, measuring 3.8 x 1.2 cm in size; nakago 7 x 27 mm. THE KASHIRA IS IN EXCELLENT CONDITION.
A 19th century Japanese soft metals Fuchi with fish roe background and an Arrow mon inlaid design, measuring 3.7 x 0.8 cm in size; nakago 6 x 25 mm. Scratches.
Two Japanese metal fuchi dating to the Meiji era. The first is made of iron with zogan gold flowers and measures 3.8 x 0.8 cm. The second is made of mixed metals, measures 4.0 X 0.9 cm and has inlaid fans. You can judge the interior dimension from the photos. Both fuchi have some wear and minor damage.
A 19th c. Japanese Shakudo and Copper Fuchi. measuring 3.9 x 1.0 cm. The artist has shown a phoenix with what looks like a sword tongue. The fuchi is in fine and original condition.
A Chinese Ming Dynasty meiping vase, measuring approximately 10 ins. high. The vase is freely painted in underglaze red in sections divided by sets of lines. The mouth and neck are surrounded by a scroll pattern, which is followed by scrolling, spkiy flowers and vines. The main body has water birds in lotus plants designs. The base has ruyi lappets with abstract leaf patterns. The foot is rough, unglazed and shows the orange burnt clay typical of Ming pieces. There are some old, small chips to the outer rim. The quality of the porcelain, the use of freely painted underglaze red, the rough foot and the design elements all place this vase in the late Ming, probably the Wan Li period (1573-1619).
A Japanese lacquer box of circular design on three feet, measuring 7 x 4 ins. dating to the Taisho Period. This box is similar to those used for storage of shell game pieces. It is made of wood covered with brown lacquer on the outside and reed lacquer on the interior. The design is carved into concentric cirlces. It shows minor signs of wear but otherwise is in fine and original condition.
A Japanese ivory netsuke, measuring 1 3/4 X 1 3/4 ins., dating to the mid 20th century. The netsuke shows a man seated smoking a pipe. The base has unequal himotoshi. It is signed HIROSHI on the base. The netsuke is in fine and original condition.
A Japanese chawan, or teabowl, of mottled celadon green-gray glaze with brown splotches and an incised floral decoration, measuring 4 1/2 X 3 1/4 ins., dating ot the mid 20th century. The bowl has a broad footrim with an impressed three-character Kanji seal. It is in fine and original condition.
A Chinese miniature meiping shape vase, measuring 4 x 2 1/4 ins., dating to the early 20th century. The vase has a bright orange glaze that is decorated with gilt scrolls and happiness characters. The glazed base has a 2-character mark that reads YU WAN, or (Precious) Jade Curios. This mark can be found on Kangxi to Republic Period porcelain. See Nilsson’s excellent website, www.gotheborg.com, for this mark and many others on Chinese and Japanese wares. See also Qingzheng’s Dictionary of Chinese Ceramics, p. 304, for this mark. I believe that this vase is 20th century. It is in fine and original condition.
A Chinese Junyao lamp measuring 5 ins. square at the base and 3 ins. high, dating to the Song Dynasty. The candleholder is made of brown clay. The unglazed, recessed rim around the base suggests that this item once had a cover. The interior glaze is deep blue/green and brown. The rough potting of the piece indicates that this was made for everyday household use.
A Chinese Jun kiln vase, measuring 9 - 10 ins tall and 5 ins. across. The vase is made of yellow, sandy earthenware known as sha t’ai (what Hobson calls “soft Ch’un”). The foot is short, flared, and unglazed upwards to 2-3 inches. The body rises in a gradual flare to a gourd shape that tapers in at the shoulder and flares into a 6-petal mouth. There is an applied petal design around the shoulder as well as applied designs of paired fish on either side of the upper body. Two lion’s head handles with pierced nostrils adorn the sides. The rich blue body glaze is thick and opalescent. It has some purple splotches and is finely crackled in different areas. The mouth is brown as are the upper edges of the applied designs where the glaze ran off during firing. The clay body can be seen on the unglazed portions, lying beneath what appears to be encrusted dirt from burial. There is one linear crack in the side from firing that measures approximately 5 inches. Flare mouth vases like this were popular in the Song Dynasty but were made into the Qing Dynasty. This vase has characteristics of the Song dynasty earthenware ceramics.
A set of six matching Kutani saucers, measuring approximatley 5 ins. in diameter, dating to the late 19th-early 20th centuries. The saucers are decorated with peacocks in typical Kutani palette with extensive gold accents. The saucers are in excellent and original condition with only minimal wear. Two saucers have a 1/8 in. shallow chip out of the reverse rim that I have repaired. They are marked on the base with the artist signature, which I translate as SEN HAIGO.
A Satsuma moon flask or pilgrim vase, measuring 14.5 cms. High and 5 cm across the conical base, dating to the mid 1800’s. The earthenware body is covered in an overall yellow/cream crackle glaze typical of Satsuma ware. It is decorated with medallions of gold classic scrolls with geometric designs and black/light blue and red highlights. There are wraparound designs of lotus flowers and pads with 2 cranes in pastel green, brown, pink and white. The conical mouth has a semi-circular border with circles and 2 gold and red floral medallions. The sides have dragon-head lugs; one has been repaired. The base has a squared, classical scroll border. There is a four-character seal impressed into the inside base, but I can’t decipher it beyond the left hand characters that read: SHO DAI SAN. There are small chips on the footrim.
A pair of Japanese pricket bronze or copper alloy candlesticks., measuring 9 1/2 x 3 ins., dating to the late 19th - early 20th century. The candlesticks separate into four pieces - the base, the neck and two circular surrounds. The bulbous base is supported by three dragon feet. The body narrows then flares to a second, smaller bulb that is decorated with three relief figures, possibly GuanYin. The second bulb tapers abruptly to a narrow, turned neck. There is a flying cranes with joined wings lower surround and a smaller, 8-petal lotus leaf base beneath the pricket. The base is signed in raised kanji in what appears to be: NAOTOSHI. The candlesticks are in fine and original condition.
Our Price: $ 500.00
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